By Big Geez
Gold: A 50th Anniversary Celebration, a soon to be released offering from Columbia/Legacy is part of a larger effort that's been put together to commemorate the long and notable career of Johnny Mathis. It joins the already released A 50th Anniversary Christmas Celebration, and both tie in with an upcoming PBS special.
The album is a compilation of recordings generated during the course of his long career, which means, of course, the Johnny Mathis of 2006 will inevitably be compared to his youthful self in terms of quality of voice. It's a valid approach since this is, after all, a 50 year commemorative album, and it gives fans a chance to revisit his sound in different eras.
been the first "greatest hits" collection ever generated by any artist, and it remained on the Billboard charts for a record 490 weeks. Among those early hits were "Chances Are," "It's Not For Me To Say," and "Wonderful, Wonderful." Those songs and others from that same era are part of this new 50th Anniversary album. These recordings from the late 1950s, in most cases backed by Ray Coniff and his orchestra (and in all cases sung by Johnny in his full, youthful, vibrant voice) will reacquaint you with many of those tunes and how he warbled them. His distinctive vibrato and styling are impossible to mistake for anyone else.
I found it a little surprising that the first dozen or so songs were all from the late 1950s, and then the rest are from 1986 or later - a gap of over 25 years. Mathis was active during that period, but was shifting genres and looking for new avenues. He also began doing a number of duets, including one that became a big hit, "Too Much, Too Little, Too Late," with Deniece Williams. None of that period is covered on this album. Instead, it picks up again with an older Mathis, starting with "True Love," where he's backed up by Henry Mancini, and continuing on through his collaboration with Sergio Mendes, "So Many Stars," both recorded in the late 1980s.
His voice is still very familiar and sounds pretty good, although a little more subdued than the younger version. That's followed by Ellington's "In A Sentimental Mood," recorded in 1990, and I had a difficult time evaluating the vocal on this, because I didn't listen to it for very long. Maybe that seems unfair, but this tune has always been one of my favorites as an instrumental and I just cringed when I heard him sing it. (Although according to Johnny's album notes, Ellington offered the song to him.)
The last two cuts on the album are something a little different. On "The Shadow Of Your Smile," recorded just this year, "smooth jazz" reigns supreme as Johnny is accompanied by Dave Koz on sax and Chris Botti on trumpet, and both have a number of long and extensive solos that cut back on Johnny's portion of the song. Still, though, it all works pretty well and is a pleasant listen.
The album closes with Johnny's duet with Ray Charles on "Over The Rainbow," and this one just didn't work in my opinion. I felt that the styles of the two singers are too different for them to mesh. It was recorded a couple of years back and, according to Johnny's album notes, they did actually sit side by and side and record this, so it wasn't one of those virtual things that are often put together. (And he sounded surprised that Ray was actually there, which I found curious.)
Overall, a lot of good listening to be found on this new release.
Johnny Mathis - Gold: A 50th Anniversary Celebration
1 Chances Are
2 Wonderful! Wonderful!
3 It's Not For Me To Say 
4 The Twelfth Of Never
5 When Sunny Gets Blue
6 Wild Is The Wind
7 Misty
8 Small World (from "Gypsy")
9 A Certain Smile
10 Maria (from "West Side Story")
11 What'll I Do?
12 One God
13 Deep River
14 True Love
15 So Many Stars
16 In A Sentimental Mood
17 The Shadow Of Your Smile / Dave Koz & Chris Botti
18 Over The Rainbow / Ray Charles
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